Tuesday 16 December 2008

Animators...Galore

lets first start with the obvious choice..walt disney. mickey mouse was walts first cartoon character and after 2 series of 2 cartoons he wanted to move onto feature length animations in 1934. but at that time Max Fleischer's Popeye The Sailor was more popular that Disney's' mickey mouse untill he re-coloured and redesigned the famous mouse.

Since Disney's ventures into animation and feature length films, Disney has become the most famous iconic animation of all time and the walt disney studios are still producing work today in the form of new films including recent titles such as Finding Nemo and Monsters inc. which have now harness the power of computer CGI.

Walt Disney holds the records for number of Academy Award nominations (with fifty-nine) and number of awarded Oscars (twenty-six)

making him and his studios the most successful animation studio ever.


MAX FLEISCHER

Most famous for the creator of Popeye the sailor man, betty boop and koko the clown. born to a jewish family in Poland but emigrated to USA in 1887.
Fleischer came up with a concept to simplify the process of animating movement by tracing frames of live action film. His patent for the Rotoscope was granted in 1915, although Max and his brother Dave Fleischer made their first cartoon using the device in 1914. Extensive use of this technique was made in Fleischer's Out of the Inkwell series for the first five years of the series, which started in 1919 and starred Koko the Clown and Fitz the dog.

when he released Popeye the sailer, this grew to become more popular that Disney's mickey mouse.Fleischer invented the "Bouncing Ball" technique for his " Ko-Ko Song Car-Tune" series of animated sing-along shorts. In 1925, Fleischer added synchronized sound to this series, using the Phonofilm sound-on-film process developed by Lee de Forest; these Song Car-tunes would last until 1927, just a few months before the actual start of the sound era. This was before Walt Disney's Steamboat Willie (1928), which is often mistakenly cited as the first cartoon to synchronize sound with animation.

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